Doors and windows also contain profound cultural charm in the history of Chinese architectural decoration culture. In the eyes of the ancients, doors and windows were like a curtain between heaven and man. In ancient China, especially in the Ming (1368-1644) and Qing (1644-1911) dynasties, the flower window panels combined the appearance of wealth and elegance. They not only have rich cultural connotations, but also have exquisite carvings, giving people an elegant appearance. With visual enjoyment, certain collection value and high decorative practicality, it is increasingly becoming the most fashionable decorative material in modern homes.
From the perspective of Chinese architectural history, the core of the development of architectural art is the evolution of the proportion, curvature, and combination of wooden components. The maturity of structural art has enabled ancient Chinese craftsmen to complete the structure and combination of doors and windows with the most expressive spatial expression. The cultural connotation of doors and windows in ancient China is expressed by the decorations and patterns of doors and windows. The decoration of doors and windows also reflects the different aesthetic tastes, status and wealth symbols of the owners of the house - officials, businessmen and literati. The development of doors and windows in ancient China has a long history, and its cultural connotations are accumulated bit by bit. The ancients poured more emotions into doors and windows, making doors and windows occupy an extremely important position in the living environment and even architectural art. There are also a large number of ornaments and patterns on ancient Chinese furniture, but compared to doors and windows, the themes are more monotonous, especially characters from opera stories with rich connotations, which are extremely rare in furniture decoration. Furniture exists as a three-dimensional object, while doors and windows exist as a flat surface. This is why the themes of doors and windows are richer than those of furniture. We can also see from this the fundamental reason and cultural charm that doors, windows and furniture complement each other.
